Top effective strategies of in-film branding

Product placement in film is not at all a new phenomenon. Brands have realized that films are an excellent approach to access a loyal following for a few hours. Sales promotion was first popularised in the silent Hollywood movie Wings. It contained a Hershey’s chocolate commercial advertisement and proceeded to win the Academy Award for Best Picture. In film branding has grown significantly over time, and now we all have instances when sponsors hold more sway than the screenplay.

Bollywood has merely scratched the surface of in-film branding’s enormous potential. Brands have their very own personalities and contexts. Nowadays, filmmakers, directors, and screenwriters recognize this fact as well. To showcase a unique brand identity, you must always comprehend it and then tailor your advertising to meet its needs. Today’s modern producers and writers are interested in putting the brand identity in novel ways and delicately integrating it into the story.

Although in-film branding is not the primary form of advertising, it is a very cost-effective one. In some cases, it can amount to as much as 4% to 5% of a major brand’s entire promotional efforts. Marketing teams are now aware that a film can get popularity on marketplaces other than multiplex theaters, which include Cable broadband, recreational intermediaries on television, and television shows. Therefore, even though a film has been officially released, the company has continued to acquire publicity.

Modern film makers are now considering the possibility of discreet branding in films that fits seamlessly also with the story. Here, we are presenting what several industry insiders speak on what works in in-film branding and what to eliminate.

  • It should be incorporated inside the storyline in a systematic way

It’s a terrific combination for businesses, with in-film branding arrangements on the rise, but marketing managers must be cautious where they deploy their logos on this platform. Amol Mohandas, VP, Allied Media, remarked that this should not be obtrusive and must be incorporated effortlessly into the narrative.

  • Induction and online networks play a major part 

Nowadays, digital networks and stimulation contribute significantly to film promotion. Ashish Patil, Vice President, Youth Films, Brand Partnerships, and Talent Management at Yash Raj Films said that spectators are devoting far more screen time that it’s becoming hard to overlook. Rather than a separate cinematic webpage, we’ve mostly relegated ourselves to a Social media page. We strive to go through it as something more than a delivery platform, considering the nature of the information. In addition, YRF has created a separate business devoted to importance when it comes to strategic solutions.

  • Proper implementation 

Plotline and branding objectives should be integrated. Each and every statement in Indian films is primarily considered as observed and acknowledged, Yusuf Shaikh, Head Distribution and IPR, Percept Pictures, stated. He also added that the public always likes fame. This is a smart approach with plenty of room for innovation. If individuals sense a particular film matches into their overall plan, this is clever incorporation. An astute marketing executive will consider these factors.

  • Proper ROIs on placements

All expenditures are justifiable if they generate a return on investment. To calculate the return on investment, one must first determine what the evaluation parameter represents. As per Zubin Tatna, MEC’s National Director, quantifying the return on investment (ROI) on revenues is irrelevant if in-film is performed for the brand image or corporate reputation. The central characters turn advertising brand ambassadors thanks to in-film developments. Considering the expensive expenditures associated with public figures, this may yield quite a significant return on investment.

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